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Although the house of the Medici is powerful and has produced two popes, it is much harder for it to keep control of the Florentine state than it was for Cosimo, a private citizen. Aside from his extraordinary ability, Cosimo was aided by the conditions of his times. With the help of only a few men, he was able to take and keep control of the government, without displeasing the many, who did not yet know freedom. Indeed, in his day, the middle and lowest classes were able to better their conditions every time the strong quarreled, and every time a revolution took place. Now that the people have had a taste of the Grand Council, however, it is no longer a matter of seizing or usurping power from the hands of four, six, ten, or twenty citizens, but from the entire people. And they are so attached to their liberty that there is no chance of having them forget it － not with all the kindness, with all the good government, or with all the recognition and exaltation of the people that the Medici or any other powers may attempt. After a brief exile, Cosimo returned to Florence in 1434, defeated the powerful rival family of the Albizzi, and became the power behind the Florentine government. Though few changes were made in the organization of the state, Cosimo dominated elections and voting lists, kept the favor of the public, and made other powerful families come to depend upon him. He enjoyed uncontested dominion until his death in 1464, when the city conferred upon him the title Pater Patriae. メディチ家は力強く、２人の教皇を輩出しているが、フィレンツェを保持していくことはきわめて困難だ。私的な一市民のコジモはそれほどの困難もなく保持しえた。彼の有り余る権力以外にコジモは時代の状況によって幸いした。少々の人の助けのおかげで、彼は未だ自由を知らない一般の人々の怒りを買うことなしに政権をコントロールし奪取できた。それどころか中流と下流の人々は有権者同士の争いのたびにそして騒動が起こるたびに状況を改善していた。しかしながら、人々が大会議の味を知ってしまった今日、統治権を握ろうとしても４人、６人、１０人あるいは２０人の市民からそれを横領することはもはや問題にならない。統治権は全市民の手にあるので、彼ら全市民から奪うことが問題なのだ、しかも彼らは自由を目的としているのであらゆる柔軟さをもってしてもあらゆるよい統治をもってしても、あるいはメディチ家その他の勢力家が利用する一般大衆の幸福の増大をもってしても、彼らに自由を忘れさせる望みはないほどだ。つかの間の追放後、コジモはアルビジの力強いライバルを破り、フィレンツェの政府の裏に権力となって1434年にフィレンツェに戻ってきた。少しも変化が州の組織になっていないが、コジモは選挙投票リストを支配し公共の支持を保ち他の強力な家族が彼を頼るようになった。

英文和訳

And should we defeat every enemy, and should we double our wealth and conquer the stars, and still be unequal to this issue, then we will have failed as a people and as a nation. For, with a country as with a person, "what is a man profited if he shall gain the whole world, and lose his own soul?" There is no Negro problem. There is no Southern problem. There is no Northern problem. There is only an American problem.This was the first nation in the history of the world to be founded with a purpose. The great phrases of that purpose still sound in every American heart, North and South: "All men are created equal." "Government by consent of the governed." "Give me liberty or give me death." And those are not just clever words, and those are not just empty theories. In their name Americans have fought and died for two centuries and tonight around the world they stand there as guardians of our liberty risking their lives. Those words are promised to every citizen that he shall share in the dignity of man. This dignity cannot be found in a man's possessions. It cannot be found in his power or in his position. It really rests on his right to be treated as a man equal in opportunity to all others. It says that he shall share in freedom. He shall choose his leaders, educate his children, provide for his family according to his ability and his merits as a human being. To apply any other test, to deny a man his hopes because of his color or race or his religion or the place of his birth is not only to do injustice, it is to deny Americans and to dishonor the dead who gave their lives for American freedom. どなたかお願いします。

英文の訳をお願いします

以下の文章を訳していただけますか。お願いします。 He deeply desires, a true friend, someone whom he can express his feelings and thoughts to. People and relationships are important to him despite his independent exterior. He is interested in the lives and affairs of those close to him. He is an excellent arbitrator, negotiator and peace maker and meddler in other peoples problems. But not soft B, he is as forceful as he feels is necessary for achieving his own aims and ambitions, and if he feels others are not appreciative of what he is trying to do, then he will consider them unworthy of his time and efforts and he will take back what ever efforts he has made on their behalf, or whatever he has given then, When he gives to people it is not free, even if it just advice, it comes on loan. And at some point the loan is recalled. The favour owed is collected like a debt by him.

英文の訳をお願いします！

以下の英文が訳せなくて困ってます、、。すみませんが訳をお願い致します！ The TWO MAIN TENDENCIES If film grows out of photography, the realistic and formative ten-dencies must be operative in it also.Is it by sheer accident that the two tendencies manifested themselves side by side immediately after the rise of the medium? As if to encompass the whole range of cinematic endeavors at the outset, each went the limit in exhausting its own possibilities.Their prototypes were Lumiere, a strict realist, and Melies, who gave free rein to his artistic imagination.The films they made embody, so to speak, thesis and antithesis in a Hegelian sense. Lumiere's films contained a true innovation, as compared with the repertoire of the zootropes or Edison's peep boxes ; they pictured everyday life after the manner of photographs. Some of his early pictures, such as Baby's Breakfast ( Le Dejeuner de bebe) or The Card Players (La Partie d'ecarte), testify to the amateur photographers's delight in family idyls and genre scenes. And there was Teasing the Gardener (L'Arroseur arrose), which enjoyed immense popularity because it elicited from the flow of everyday life a proper story with a funny climax to boot. A gardener is watering flowers and, as he unsuspectingly proceeds, an impish boy steps on the hose, releasing it at the very moment when his perplexed victim examines the dried-up nozzle. Water squirts out and hits the gardener smack in the face. Thet denouement is true to style, with the gerdener chasing and spanking the boy. This film, the germ cell and archetype of all film comedies to come, represented an imaginative attempt on the part of Lumiere to develop photog-raphy into a means of story telling. Yet the story was just a real-life incident. And it was precisely its photographic veracity which made Maxim Gorki undergo a shock-like experience. You think, he wrote about Teasing the Gardener, the spray is going to hit you too, and instinctively shrink back.

私には難しい英文で・・・訳をお願い出来ませんか！？

There are two types of basic sensations: “pressure” (associated with a “tension headache”) and “sharp pains” which might be due to a migraine if they are on one side and behind the eye. If you have a headache that lasts longer than normal you should get it checked. Like the word “nightmare,” a “headache” can describe a situation that is quite difficult or emotionally draining: On a less serious note, another problem related to skin is pimples, which often seem to come at the wrong time and in embarrassing places! There is a lot of speculation about some of the causes of pimples. Some doctors say that our diet is an influence, whereas others say it is not and encourage instead the use of various creams and steroids (more money for them of course).

英文の訳のとり方を教えてください。

The fact that our taste is culturally determined is something of which we have to be aware, and this crops up throughout this book. Here, though, it is important to think about the social dimension of taste as having more to do with art as a process of social exclusion--we are meant to feel intimidated if we don't know who the artist is, or worse still if we don't feel emotionally moved through the 'exquisiteness' of the work. We have all read or heard the unmistakable utterances of these connoisseurs. But luckily their world does not belong to art history. この英文の二番目のセンテンスのas～asの個所がよくわからないのですが、 as～as・・・で、「・・・のように～」もしくは「・・・と同様～」と意味をとるのでしょうか？ a process of social exclusion 社会的な排斥の過程？ having more to do with art 芸術を用いてもっとすることを持つ? この二つをつなげて it is important to think about the social dimension of taste as having more to do with art as a process of social exclusionを訳すと "社会的な排斥の過程（工程？）と同様に芸術を用いてもっとすることを持っている観賞力の社会的重要性について考えることは重要である"、ですか？意味が掴めない感じです。また、 we are meant to feel intimidated if we don't know who the artist is, or worse still if we don't feel emotionally moved through the 'exquisiteness' of the work.について "私たちはもしその芸術家が誰なのか知らなかったり、さらにもっと悪いことにその作品の洗練されたものを通して情緒的に駆り立てられないならばぞっとすることになっている" と訳したのですが are meant to feel intimidated はbe meant to doで、～することになっている、ですか？ぞっとすることになっている、という訳がしっくりこない感じなのですが。以下は前文になります。 Another aspect of connoisseurship is its relationship to our understanding of taste. A connoisseur's taste in relation to art is considered to be refined and discriminating. Our concept of taste in relation to art is quite complicated, and inevitably it is bound up in our ideas about social class. Let me take a little time to explore this more fully. I have already discussed the practice of art appreciation--art available for all and seen and enjoyed by all. By contrast, connoisseurship imposes a kind of hierarchy of taste. The meaning of taste here is a combination of two definitions of the word: our faculty of making discerning judgements in aesthetic matters, and our sense of what is proper and socially acceptable. But by these definitions taste is both culturally and socially determined , so that what is considered aesthetically 'good' and socially 'acceptable' differs from one culture or society to another. 『ART HISTORY--Connoisseurship』:Dana Arnold

この英文の訳を教えて下さい

英文は nursing 　Health care profession concerned with providing care to the sick and disabled and with promoting,maintaining,and restoring health.Nurses perform mamy different services,including research,education,andpatient consultation.They often coordinate their services with physicians and other health providers. 　The need for nursing is uniuersal.The International Council of Nurses states that the function of nursing is fourfold-to promote health,prevent illness,restore health,and alleviate suffering-and that inherent in nursing is “the respect for life,dignity and the rights of man. It is unrestricted by considerations of nationality,race,creed,colour,age,sex,politics or social status. Nurses render health services to individuals,the family and the community and co-ordinate their services with those of related groups.” です。訳がわからなくて困っています。よかっから教えて下さい。お願いします。

英文訳お願いします！

When automobiles first began to appear on the roads and streets of this country they did not have horns of any kind. The noise they made and the moderate speed at which they went made horns unnecessary. But in time it was felt that a warning device was needed. The first such signal was a hand-operated horn consisting of a rubber bulb on one end of a brass trumpet. In 1908 an inventor secured a patent on a horn that was electrically operated. He coined Klaxon as the trade-mark for his new product, and this word has now become popular. Klaxon is based upon the Creek verb klazein, which is related to the Latin word clangere from which "clang" comes. The Greek verb means to make a sound of some kind, its precise meaning depending on the source of the sound. When birds are referred to, it means "to scream," as the eagles and herons do. When dogs are the source of the sound, it means "to bark or bay." If things such arrows in a quiver are being talked of, klazein means "to clash or rattle." If the wind is spoken of, it means "to whistle." If people are referred to, the verb means "to shout or scream." It would be difficult to coin a word that has in it more of the element of sound than does Klaxon.

訳

the hard material that the trunk and branches of a tree are made of ; this material when it is used to build or make things with , or as a fuel 英英辞典でwoodを引いたのですが、どう訳せば良いか分かりません。宜しくお願いします。

英文の訳をお願いします

外国の友人から、私と家族にプレゼントが届いたのでお礼のメールをしたら以下の文が返ってきました。XXXには差し出し人の名前が入ります。どうしてもわからないのが It is just a small gift to touch you and your family positively and to say I like you " just a little " As I said sit tight enjoy the ride with XXX it is either hell or heaven not in the middle. 宜しくお願いします！

英文の訳　　文法について

one of the first rules as t how to read a book is to know what sort of book it is. That means knowing what intention the author had and what sort of thing you can expect to find in his work 本の読み方でまず身につけるべきことの１つは、それがどんな類の本なのかを知ることである。つまり、筆者がどんな意図をもっていたのか、その本を読めばどんなことがわかると思えるのかということを知ることである what sort of book it isのit　isはなんのためでしょうか？必要ありますか？又、That meansからの訳がさっぽりわかりません。解説していだだけないでしょうか？

英文翻訳をお願いいたします。

"French intentions in Syria are surely incompatible with the war aims of the Allies as defined to the Russian Government. If the self-determination of nationalities is to be the principle, the interference of France in the selection of advisers by the Arab Government and the suggestion by France of the Emirs to be selected by the Arabs in Mosul, Aleppo, and Damascus would seem utterly incompatible with our ideas of liberating the Arab nation and of establishing a free and independent Arab State. The British Government, in authorising the letters despatched to King Hussein [Sharif of Mecca] before the outbreak of the revolt by Sir Henry McMahon, would seem to raise a doubt as to whether our pledges to King Hussein as head of the Arab nation are consistent with French intentions to make not only Syria but Upper Mesopotamia another Tunis. If our support of King Hussein and the other Arabian leaders of less distinguished origin and prestige means anything it means that we are prepared to recognise the full sovereign independence of the Arabs of Arabia and Syria. It would seem time to acquaint the French Government with our detailed pledges to King Hussein, and to make it clear to the latter whether he or someone else is to be the ruler of Damascus, which is the one possible capital for an Arab State, which could command the obedience of the other Arabian Emirs."

すごーく長いので、出来たら訳をお願いしたいです

He is an interesting man, but there has been obscurity and misery in his life. He has faced some long and hard past ordeal, or unfavorable circumstances or darkness of spirit has shadowed him and dogged his footsteps. He is stalwart and hardened by the struggle, and a little fatalistic and guided often on his course by his instincts as to what will bring him luck and what wont. He knows what direction he wants to follow in life and struggles against adversities in a dignified way. But he is an unsettled man with a changing unreliable life and a restless determination to rise about him. One who is never at rest or at peace but always on the move. He has a receptive mind, a wild energy and life of much turmoil and contradiction. An ambitious man, but with many impractical dreams, who fools himself into thinking he is capable of achieving more than he can, and so no matter how hard he tries, how successful he is. his goals remain always distant, out of reach or just beyond his capability. He is one of life's takers, not one of life's givers. He takes what's given for granted and exploits it in any way he can, to get further gains. To heap up favours or wealth, a grasping nature, that when given something, extracts more, but gives little or nothing back. He ceases opportunities where he can. Lives by his wits exploits his own reserves, but fails to learn from his bad luck and failures. すみません。やはり長すぎますね・・

英文の訳をお願いします。

英文の訳をお願いします。 Terni is a large modern city and Saint Valentine's church is on the edge of town. So it is not so easy to find the church. “If Saint Valentine had been born in a city in America, they would have built a theme park there. But as he was born in Italy, you could enter Terni without knowing it was Saint Valentine's hometown," an American friend said to me. In the square in front of the church, Saint Valentine's Festival is held on February 14. Many couples, young and old, attend the festival. Inside, the church looks like any other Italian church, but two baskets overflowing with letters would catch your eye. The priest has to deal with 50,000 a year. Of these, 10,000 come from Japan. Saint Valentine is well known in this country, too. In spite of its connection to Saint Valentine,Terni has few advantages. “We wish more tourists would visit Saint Valentine's hometown," a city official says. The local government hopes to make Terni into a modern city. They built a new footbridge to link the church with a parking lot for cars and buses. The Saint Valentine Foundation is working hard to make Terni into more than a city which comes to life only one day a year. For example, it has helped to organize a concert dinner with TV personalities. But one of its concerns is not to let the religious meaning of Saint Valentine be lost among the commercial activities. However, some local people argue that, since the chocolate, cards, and candlelight dinners of Saint Valentine's Day are a huge business the world over, they wourld over, they would be foolish if they did not take their share of it.

大至急！英文の訳をお願いします。

　It is often said that there is no love like a mother’s love. Once in a while, however, there are cases in which a man comes to love his mother a little too much. They can become ﬁxated on them, or too attached to them. They have difﬁculty separating themselves from the woman who brought them into the world and raised them. You might be surprised to ﬁnd that history has no shortage of famous men who had a mother complex. The effect of this complex differs from person to person as well. 　J .M. Barrie wrote the wonderful story Peter Pan, which has become one of the best-loved children’s books of all time. In the book, there is a place called Never-Never Land, a place where children never grow up. Tn real life “Jamie” would dress in his dead brother’s clothes and spend long hours in the dark with his mother, consoling her over the death of his brother and her son. Some say this is the reason he did not grow much from his teenage years on. In other words, he stopped growing. Later, in adulthood, this short man wrote memoirs about his mother that shocked people all over England. He was clearly a man who adored his mother. 　Houdini was one of the greatest magicians ever. His specialty was breaking out of dark places from which there was no escape. Some psychologists think that Houdini was really trying to experience childbirth over and over again. This is the reason that he put himself into dark, dangerous places from which he had to break out into the world of light. It was similar to a baby’s body coming out into the world. 　After his mother passed away, Houdini went from psychic to psychic because he hoped to ﬁnd someone who could put him in touch with her. Some saw him spend hours lying on his mother’s grave, talking toward the ground. Apparently, he was unsuccessful at communicating with his mother, though he did succeed in creating a greater distance between his wife and himself. 　Yukio Mishima, the renowned Japanese writer, spent his childhood as the object of a tug-of-war. His grandmother, a tough woman who emphasized discipline and manners, and his mother, an emotional and outgoing woman, battled to inﬂuence young Yukio. His grandmother passed away while he was a teenager, but taught him to function smoothly in the world. Consequently, he spent most of his time with his mother, whom he adored. After his death, his mother supposedly said, “At last, my lover has returned to me.” 　Mishima presented himself as a tough, disciplined, “manly” man, while in private, he kept male lovers in a passionate, emotional world. He was clearly a man of two worlds. Did this have something to do with his complex over his mother? 　The effect of a mother complex on an individual can differ from person to person. Though the cause was the same for all of these three men, the results were very different. Too much of a good thing can be bad for us. Eating too many sweets, for example, leads to decayed teeth, weight problems, and more. By the same token, a mother’s love is special, but too much of it can be unhealthy. 訳せずに困っています。大至急お願いします。質問の内容を書いてください

この英文の訳を教えてください！

The world'smost populous nation,1.35 billion strong, will soon have too few people----or,rather,too few of the right kind of people. More than three decades of government-mandated family planning, often called the one-child policy, have succeeded beyond the architects' most grandiose dreams.Add to that the natural inclination of richer, more educated people like Liu and his wife to limit their family size, and China's population growth is projected to taper within 15 years.

以下の英文を訳して下さい。

After the failure of the all-conservative government, the Grand Duchess turned to the leading liberal politician, Victor Thorn, to form a new government. After Eyschen's premiership of 27 years, two governments had come and gone in three months, and the Luxembourgish people were becoming disillusioned with the failure of the politicians. Thorn's nature was to be a conciliatory leader, and he made a direct appeal to the Chamber of Deputies to support his government, no matter the deputies' individual ideological persuasions: "If you want a government that acts, and is capable of acting, it is imperative that all parties support this government." This support was forthcoming from all parties, but only on the condition that each was invited into the government; Thorn was left with no choice but to afford them this. The resulting grand coalition cabinet included every leading light in Luxembourgish politics; besides Thorn himself, there were the conservatives Léon Kauffmann and Antoine Lefort, the socialist leader Dr Michel Welter, and the liberal Léon Moutrier.

英文の訳をお願いします！！

長いですが以下の英文を訳してください。とても困ってます。 In discussing the origins of naturalism in the Middle Ages, Max Dvorak warned us against the folly of trying to fix a specific ‘beginning’ to anything so underground as the first growth of an artistic style. The modern movement in art, which in general is a reversal of the movement discussed with such brilliance by Dvorak (in his Idealismus und Naturalismus in der gotischen Skulptur und Malerei), offers no exception to this rule. Its origins are extremely obscure, and, like roots, proceed from different levels and contradictory directions. One cannot exclude either the revolutionary romanticism of a Blake or the revolutionary classicism of a David; Constable’s scientific naturalism is certainly a factor, but so is the historical idealism of Delacroix (to Cezanne always ‘le grand Maitre’). The realism of Courbet and Manet; the expressionism of Van Gogh and Munch; the symbolism of Emile Bernard and Gauguin---all these precede and in some degree predetermine the specifically modern movements of fauvism cubism, constructivism and surrealism. Perhaps we should abandon our biological analogies and think rather of the complex ‘movement’ of a chronometer; for historical ‘time’ seems to reduce, on analysis, to such an interlocking of gears and ratchets. It will be said that even the chronometer has a spring at the centre, but this is not necessarily true of the modern chronometer, which may be set and kept in motion by the simple alternation of night and day.

英文について教えてください。

Moreover-taking the word "tragedy" in its most ordinary modern sense-it is Gretchen who suffers the tragedy, which Faust takes in his stride. We never see him hunted by the furies, like Orestes: no sooner has Part Two begun than spirits "remove the burning arrows of remorse, and cleanse his mind of memories." And though he dies blind like Oedipus, (1)【he does not blind himself with clasps plucked in a passion from the corpse of his beloved, resolved to live in infamy and night.】 Rather, he loses his sight when he is a hundred years old, just before he dies in a moment of elation. Faust's sufferings are incidental. He is not a tragic hero like Orestes, who is called upon to kill his mother, or like Oedipus, who owes it to his city to find out who killed his predecessor and who thus discovers that he killed his father and is wedded to his mother. In Faust, tragedy engulfs not the hero but representatives of unheroic, non-outstanding, suffering humanity: Gretchen, Philemon and Baucis, Gretchen's mother. The death of Philemon and Baucis in the fifth act of Part Two involves no tragic conflict in Faust's mind: he has given different instructions; their death is a hideous surprise to him; but again he takes it in his stride.(2)【 It is another episode, no more.】(3)【 In retrospect we realize, if it was not clear to us all along, that Gretchen's tragedy, too, was a mere episode.】 The drama is epic, the effect cumulative. 『Goethe's Faust by Walter Kaufmann』上記の英文の(1)【】、(2)【】、(3)【】の部分について質問です。 (1)【he does not blind himself with clasps plucked in a passion from the corpse of his beloved, resolved to live in infamy and night.】＊clasps pluckedとはどういう意味にとればよいのでしょうか？＊全体はどういう訳になりますか？ (2)【 It is another episode, no more.】＊これはどういうことを言っているのでしょうか？ another episodeとは？ (3)【 In retrospect we realize, if it was not clear to us all along, that Gretchen's tragedy, too, was a mere episode.】＊文の構造がよくわかりません。 if節があって、帰結はGretchen's tragedy, too, was a mere episodeだと思うのですが、Gretchen's tragedyの前にthatがついているのがわかりません。＊また、it was not clear to us all alongのitは何をさしているのでしょうか？よろしくお願いいたします。

訳を教えて下さい

Tradition is a matter of much wider significance. It cannot be inherited, and if you want it you must obtain it by great labour. It involves, in the first place, the historical sense, which we may call nearly indispensable to anyone who would continue to be a poet beyond his twenty-fifth year; the historical sense compels a man to write not merely with his own generation in his bones, but with a feeling that the whole of the literature of Europe from Homer and within it the whole of the literature of his own country has a simultaneous existence and composes a simultaneous order. This historical sense, which is a sense of the timeless as well as of the temporal and of the timeless and of the temporal together, is what makes a writer traditional. And it is at the same time what makes a writer more acutely conscious of his place in time, of his own contemporaneity. …（中略）伝統は、まず第一に歴史的感覚を意味する。この感覚は２５歳を越してもなお詩人たろうとする者にはほとんど不可欠なものといってよかろう。また、この歴史的感覚は単に過去の過去性についてだけではなく、過去の現在性についての認識を含んでいる。我々がこの歴史的感覚をもっている限り、我々は、単に自分の生きている世代を骨身に徹して感ずるのみでなく、またホメロス行こうのヨーロッパ文学のすべてが、そしてさらにその中における自分の国の文学のすべてが一つの同時的な存在性を持ち、一つの同時的秩序を形作っていると感じつつ、ものを書かざるをえなくなるのである。この歴史的感覚は、時間的なものとともに無時間的なものの感覚であり、時間的なものと無時間的なものを同時に感ずる感覚であるが、こういう歴史的感覚がある作家を伝統的ならしめるのである。そしてまたこれは同時に、作家の時間の中における自分の位置を、自分自身の現代性を鋭く意識させるものなのである。 T.S　エリオットの「伝統と個人の才能」なのですが、これは翻訳された文章なのですが、これを要約したいのですが意味がよくわかりません…。どなたかお助けいただける方、よろしくお願いします<m(__)m>

早急にこの英文の訳があっているか教えてください。。。

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補足 2007/05/22 21:19

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この英文の和訳が合っているのか不安です。。。

英文和訳

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私には難しい英文で・・・訳をお願い出来ませんか！？

英文の訳のとり方を教えてください。

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訳

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英文の訳　　文法について

英文翻訳をお願いいたします。

すごーく長いので、出来たら訳をお願いしたいです

英文の訳をお願いします。

大至急！英文の訳をお願いします。

この英文の訳を教えてください！

以下の英文を訳して下さい。

英文の訳をお願いします！！

英文について教えてください。

訳を教えて下さい

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早急にこの英文の訳があっているか教えてください。。。

みんなの回答

補足 2007/05/22 21:19

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この英文の和訳が合っているのか不安です。。。

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英文の訳のとり方を教えてください。

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英文翻訳をお願いいたします。

すごーく長いので、出来たら訳をお願いしたいです

英文の訳をお願いします。

大至急！英文の訳をお願いします。

この英文の訳を教えてください！

以下の英文を訳して下さい。

英文の訳をお願いします！！

英文について教えてください。

訳を教えて下さい

注目のQ&A

カテゴリ

あなたにピッタリな商品が見つかる！ OKWAVE セレクト

専門家に質問してみよう

英文の訳　　文法について