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質問

Lights flushed down from behind, framing their black visages with poetry. Delila, when she wasn’t eyeing her guitar or shaking her black mane, stared intensely and unwaveringly out into the audience. And said hair stuck to her face from sweat like black rivers, her cheekbones shining blue in the light.

Before their last number, Edgey shook out an Amstel Light on the stage and then, while playing, climbed onto the bass drum, which sighed a little under his black boots. Suspended like some secular angel in the background above Delila, he stood there for several minutes while the audience jumped and scrambled to take pictures. The final song turned into an improv showdown between Delila and Edgey on their guitars. Both at separate moments climbed off the stage to play from the audience, who grabbed at them lovingly and took pictures.

It was like witnessing a birth. Maybe to the new self, the one that came from watching this show. This superbly talented act brings back rock ideals that feel almost nonexistent in the current market, and it is a welcome relief. They are sure to be a dynamic presence and force of change on the world stage.

回答No.1

marbleshit · ベストアンサー

Lights flushed down from behind, framing their black visages with poetry. Delila, when she wasn’t eyeing her guitar or shaking her black mane, stared intensely and unwaveringly out into the audience. And said hair stuck to her face from sweat like black rivers, her cheekbones shining blue in the light.

赤色照明が背後から照らし出し、彼らの黒い出で立ちを詩的に浮かび上がらせる。デライラはギターには目をやらず、黒髪を揺らしている。強烈な眼差しで微動だにせず観客を見据えている。前述の髪が黒い川のような汗で顔に張り付いている。彼女の頬骨は青く光り輝いている。

Before their last number, Edgey shook out an Amstel Light on the stage and then, while playing, climbed onto the bass drum, which sighed a little under his black boots. Suspended like some secular angel in the background above Delila, he stood there for several minutes while the audience jumped and scrambled to take pictures. The final song turned into an improv showdown between Delila and Edgey on their guitars. Both at separate moments climbed off the stage to play from the audience, who grabbed at them lovingly and took pictures.

ラストナンバーの前で、エッジーはステージの上でアムステルビールの栓を抜き、さらに演奏中はバスドラの上に登ったりするので、ドラムスの音は彼の黒ブーツのすぐ下で溜め息のような音になっていた。デライラの背後で彼はまるで、彼女の頭上にぶら下がった天使のようだった。数分間その場所に立ち続け、観客は飛び上がり、写真を撮るために押し寄せた。最後の曲はデライラとエッジーのギターによる即興エンディングへと移行する。二人はそれぞれの場所からステージを降りて、観客の中で演奏し出した。観客は二人を愛しさを込めて鷲掴みにし、写真を取り捲った。

It was like witnessing a birth. Maybe to the new self, the one that came from watching this show. This superbly talented act brings back rock ideals that feel almost nonexistent in the current market, and it is a welcome relief. They are sure to be a dynamic presence and force of change on the world stage.

まるで誕生を目の当たりにしたようだった。おそらくは新しい自分自身が、このショーを見たことで湧き上がったのだろう。この並外れた才能に満ちた演目は、現在のマーケットに殆んど存在しない、ロックの理想を取り戻すものだ。まさに救世主である。彼らが衝撃的な存在として、世界のステージを変革する力を備えている事は確かである。

お礼

ありがとうございます