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Annibale Carracci’s artwork, The Coronation of the Virgin – 1590-1609, this piece of the soul and the mind. This picture grabbed my attention because it is one of the few paintings in which God, Jesus, and Mary are represented as “equals”, because of their sizes. The arrangement of the figures, and the colors implemented by the artist were other elements that interested me. In the following essay I will discuss the subject matter of the painting, and the technique used, as well as a brief discussion of the features that identify this artwork with the time period when it was painted.
In this painting Mary is being crowned by Jesus and God, after her ascension to heaven. This action is taking place in heaven, because angels that are sitting in the background and also clouds closer to the border of the painting surround the three main figures. Jesus, Mary, and God are the main figures. In the center, Mary extends her arms as if welcoming a son/daughter or family member and her face expresses tranquility and acceptance. To her right is Jesus, who lifts His right hand to hold the crown, and His face shows kindness and respect. On Mary’s left, is God, who raises His left hand to hold the other side of the crown that is being placed on Mary’s head. God’s face also shows kindness towards Mary, and as the Father and the Son put the crown on Mary’s head, the Holy Spirit, represented as a dove, descends over her. Crowds of angels sit in order, one on the side of the other, around the semicircular theater in the background of the painting, and others, closer to the viewer’s point of view, are represented playing instruments and holding books, as if they were singing. In the center small human figures are shown, one of them holding a scroll as if they were asking Mary to intercede for them before God.
Organization, light, and clothing are important elements of this representation, because they make a reference to the style under which it was created. On “The Coronation of the Virgin,” figures form three triangles. The first and smallest one is formed by Mary’s head and extended arms. Jesus and God’s arms and bellies form the second triangle. The third and biggest triangle starts on the Holy Spirit and extends from both sides to the two low corners of the painting. Triangles may serve as reference to the Holy family and also to the Trinity, which are formed by three figures, the same as triangles have three angles and sides. The organization of the figures in this painting make reference to the High Renaissance where the arrangement of the figures played an important role in the meaning and message that the artist was seeking to convey.
This painting is also full of light and color, which bring to this picture a sense of natural appearance, characteristic of the Byzantine and High Renaissance, and also of the Baroque. Clothing is another important element of this painting for it is a reminder of the Classical revival. The colors of the draperies are very basic; blue and pink on Mary’s drapery, white on God and Jesus, and red on two angels in the right corner of the painting, and some green in the center, and a lot of yellow in the background.
Another important feature that relates this painting with the style the artist implemented is the body types, especially in Jesus and God. Jesus is shown as having Byzantine facial features, and a classical body type, where muscles and a well shaped body are visible. Also God’s body has been idealized, due to the fact that His body looks as young as His son’s body; giving to this picture a characteristic usually seen during the classical period.
お礼
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