The Oval Portrait: タイトル生成| OKWAVE

The Oval Portraitからの質問です。

Least of all, could it have been that my fancy, shaken from its half slumber, had mistaken the head for that of a living person. I saw at once that the peculiarities of the design, of the vignetting, and of the frame, must have instantly dispelled such idea-- must have prevented even its momentary entertainment. Thinking earnestly upon these points, I remained, for an hour perhaps, half sitting, half reclining, with my vision riveted upon the portrait. At length, satisfied with the true secret of its effect, I fell back within the bed. I had found the spell of the picture in an absolute life-likeliness of expression, which, at first startling, finally confounded, subdued, and appalled me. Edgar Allan PoeのThe Oval Portraitからの英文なのですが、 Least of all～から始まるこの英文は、"とりわけthat以下（my fancy, shaken from its half slumber, had mistaken the head for that of a living person）でありようにもあり得なかった"、という意味ですか？ ------------------------------------------- the head for that of a living person ここのthatはthe headですか？ -------------------------------------------- its momentary entertainment（瞬間的な余興？）どういう意味でしょうか？ --------------------------------------------- satisfied with the true secret of its effect（その効果の本当の秘密に満足して？）効果の本当の秘密とはどういう事を言っているのでしょうか？ --------------------------------------------- 質問が細かくなってしまってすみません、教えてください。《前文は、以下です》 The portrait, I have already said, was that of a young girl. It was a mere head and shoulders, done in what is technically termed a vignette manner; much in the style of the favorite heads of Sully. The arms, the bosom, and even the ends of the radiant hair melted imperceptibly into the vague yet deep shadow which formed the back-ground of the whole. The frame was oval, richly gilded and filigreed in Moresque. As a thing of art nothing could be more admirable than the painting itself. But it could have been neither the execution of the work, nor the immortal beauty of the countenance, which had so suddenly and so vehemently moved me.

The Oval Portraitからの質問です。

With deep and reverent awe I replaced the candelabrum in its former position. The cause of my deep agitation being thus shut from view, I sought eagerly the volume which discussed the paintings and their histories. Turning to the number which designated the oval portrait, I there read the vague and quaint words which follow: Edgar Allan PoeのThe Oval Portraitからの英文なのですが、 The cause of my deep agitation being thus shut from view,で being thus shut from viewのthusの位置について being shut thus from viewというようにbeingとshutをつなげてthusを後ろに持ってくるのとでは違いは何かあるのでしょうか？すみません、解説をお願いします。

The Oval Portraitからの質問です。

And he was a passionate, and wild, and moody man, who became lost in reveries; so that he would not see that the light which fell so ghastly in that lone turret withered the health and the spirits of his bride, who pined visibly to all but him. Yet she smiled on and still on, uncomplainingly, because she saw that the painter (who had high renown) took a fervid and burning pleasure in his task, and wrought day and night to depict her who so loved him, yet who grew daily more dispirited and weak. And in sooth some who beheld the portrait spoke of its resemblance in low words, as of a mighty marvel, and a proof not less of the power of the painter than of his deep love for her whom he depicted so surpassingly well. Edgar Allan PoeのThe Oval Portraitからの英文なのですが、最後のAnd in sooth some who beheld the portrait～の英文がわかりません。 -------------------------------------------------- in low wordsというのは「少ない言葉で」という意味ですか？ -------------------------------------------------- as of a mighty marvelのasは、「～として」ですか？ --------------------------------------------------- as of a mighty marvelとof his deep love for her の中にあるofの前にある単語を補うとしたら、それぞれspokeとthe powerになるのでしょうか？ as of a mighty marvel→as 【spoke】 of a mighty marvel of his deep love for her→【the power】 of his deep love for her ----------------------------------------------------- 訳は、実に、その肖像を見た何人かは、少ない言葉でその類似を語り、強大な驚異として話しました。そして、彼がそれほど並み外れて上手に描いた彼女に対する彼の心からの愛情の力に、勝るとも劣らない画家の力量の証明を語りました。（ as of a mighty marvelのところがよくわかりません）ですか？つまり、画家の彼女に対する愛情と、画家の絵を描く力量は同等であった、ということですか？すみません、解説をお願いします。

The Oval Portraitからの質問です。

Its walls were hung with tapestry and bedecked with manifold and multiform armorial trophies, together with an unusually great number of very spirited modern paintings in frames of rich golden arabesque. In these paintings, which depended from the walls not only in their main surfaces, but in very many nooks which the bizarre architecture of the chateau rendered necessary- in these paintings my incipient delirium, perhaps, had caused me to take deep interest; so that I bade Pedro to close the heavy shutters of the room- since it was already night,- to light the tongues of a tall candelabrum which stood by the head of my bed, and to throw open far and wide the fringed curtains of black velvet which enveloped the bed itself. I wished all this done that I might resign myself, if not to sleep, at least alternately to the contemplation of these pictures, and the perusal of a small volume which had been found upon the pillow, and which purported to criticise and describe them. Edgar Allan PoeのThe Oval Portraitからの英文なのですが、 3段落目の様子がわかりづらいので教えてください。 so that I bade Pedro to close the heavy shutters of the room- since it was already night,- to light the tongues of a tall candelabrum which stood by the head of my bed, and to throw open far and wide the fringed curtains of black velvet which enveloped the bed itself. すでに夜になっていたので、ベッドの頭の方の側にある背の高い枝つきの燭台に灯りをともし、（the tongues of a tall candelabrumのtonguesとは何のことですか？）ベッドを覆っていた房のついた黒いベルベッドのカーテンを広く開け放った？（ベッドを覆っていたカーテンを開け放つ・・・・訳の取り方が変な感じがするのですが、ここの意味がわかりません）　　　　---------------------------------------------------- 最後の段の構造と、訳すのが難しいので教えてください。 I wished all this done that I might resign myself, if not to sleep, at least alternately to the contemplation of these pictures, and the perusal of a small volume which had been found upon the pillow, and which purported to criticise and describe them. I wished all this done that ～で、「私はthat以下のこのことすべてがなされることを望む」という意味ですか？ I might resign myself（私は諦めるかもしれない） if not to sleep（もし眠らないのなら） at least alternately to the contemplation of these pictures（少なくとも交互にこれらの絵の熟考に対して：何に対してalternately交互なのか？） the perusal of a small volume which had been found upon the pillow（枕の上に見出されていた小容量の熟読？この意味がすごくわかりにくいです） which purported to criticise and describe them（それら＜絵＞を記述し批評することを主張した）＊which purported to criticise and describe のwhichの先行詞はthe perusal of a small volumeですか？これらをつなげるとどうなるのか・・・なんとなく、眠れないのなら熟考や熟読をせずにそのままでいるといった感じなのでしょうか？すみません、解説お願いします。

The Oval Portraitからの質問です。

Long, long I read-- and devoutly, devotedly I gazed. Rapidly and gloriously the hours flew by and the deep midnight came. The position of the candelabrum displeased me, and outreaching my hand with difficulty, rather than disturb my slumbering valet, I placed it so as to throw its rays more fully upon the book. But the action produced an effect altogether unanticipated. The rays of the numerous candles (for there were many) now fell within a niche of the room which had hitherto been thrown into deep shade by one of the bedposts. I thus saw in vivid light a picture all unnoticed before. It was the portrait of a young girl just ripening into womanhood. I glanced at the painting hurriedly, and then closed my eyes. Why I did this was not at first apparent even to my own perception. But while my lids remained thus shut, I ran over in my mind my reason for so shutting them. It was an impulsive movement to gain time for thought-- to make sure that my vision had not deceived me-- to calm and subdue my fancy for a more sober and more certain gaze. In a very few moments I again looked fixedly at the painting. Edgar Allan PoeのThe Oval Portraitからの英文なのですが、最後の個所でわからないところがあるので教えてください。 It was an impulsive movement to gain time for thought-- to make sure that my vision had not deceived me-- to calm and subdue my fancy for a more sober and more certain gaze. 構造的には It は以下の3つを受けているのでしょうか？（～することは衝動的な行動だった） to gain time for thought、 to make sure that my vision had not deceived me to calm and subdue my fancy for a more sober and more certain gaze それとも２つ目と３つ目のto不定詞は副詞用法（～のために）ですか？ It was an impulsive movement～certain gazeは、どのように訳すのでしょうか？すみません、教えてください。

The Oval Portraitからの質問です。

But at length, as the labor drew nearer to its conclusion, there were admitted none into the turret; for the painter had grown wild with the ardor of his work, and turned his eyes from canvas rarely, even to regard the countenance of his wife. And he would not see that the tints which he spread upon the canvas were drawn from the cheeks of her who sat beside him. And when many weeks had passed, and but little remained to do, save one brush upon the mouth and one tint upon the eye, the spirit of the lady again flickered up as the flame within the socket of the lamp. Edgar Allan PoeのThe Oval Portraitからの英文なのですが、 as the labor drew nearer to its conclusionのasはどのように意味をとるのでしょうか？ the laborは小塔（the turret）で絵を描いている画家（the painter）を指していると思うのですが。画家がその絵の完成に近づくにつれて、ですか？　　-------------------------------------------------- And he would not see that the tints which he spread upon the canvas were drawn from the cheeks of her who sat beside him.の個所について教えてください。 wouldが使われているのは推量だからですか？画家はもはや絵のモデルとして彼のそばに座っている妻には目もくれなかっただろう、というような意味なのでしょうか？ -------------------------------------------------- and but little remained to doの個所は、and but (there was) little remained to do（すべきことはほとんど残されていなかった）ですか？すみません、解説をお願いします。

The Oval Portrait（続きです）

"She was a maiden of rarest beauty, and not more lovely than full of glee. And evil was the hour when she saw, and loved, and wedded the painter. He, passionate, studious, austere, and having already a bride in his Art: she a maiden of rarest beauty, and not more lovely than full of glee; all light and smiles, and frolicsome as the young fawn; loving and cherishing all things; hating only the Art which was her rival; dreading only the pallet and brushes and other untoward instruments which deprived her of the countenance of her lover. It was thus a terrible thing for this lady to hear the painter speak of his desire to portray even his young bride. But she was humble and obedient, and sat meekly for many weeks in the dark, high turret-chamber where the light dripped upon the pale canvas only from overhead. But he, the painter, took glory in his work, which went on from hour to hour, and from day to day. 　　　----------------------------------------------- She was a maiden of rarest beauty, and not more lovely than full of glee. 彼女は希有な美しさの女性でした。そして歓喜に満ちるほど愛らしくありませんでした（？）後半のnot more lovely than full of gleeの個所の訳がピンとこないのですが、どういう感じなのでしょうか？　　　----------------------------------------------- And evil was the hour when she saw, and loved, and wedded the painter. 彼女が画家を見て、愛して、結合した時間は悪魔でした（？）意味がわからないのですが、 whenはthe hourを先行詞とする関係副詞なのでしょうか？　　　----------------------------------------------- she a maiden of rarest beauty, and not more lovely than full of glee; 冒頭部分のくり返しになっていますがsheの後にwasが抜けています。これはどうしてなのでしょうか？　　　----------------------------------------------- hating only the Art which was her rival; dreading only the pallet and brushes and other untoward instruments which deprived her of the countenance of her lover. 彼女が芸術を彼女のライバルとして嫌っていた理由が書かれていると思うのですが、deprived her of the countenance of her loverの個所の意味がよくわかりません。彼女の恋人の表情を彼女から奪う（？）とは、どういう意味ですか？　　　----------------------------------------------- It was thus a terrible thing for this lady to hear the painter speak of his desire to portray even his young bride. It was thusのthusはどういうことを指しているのでしょうか？ his young brideというのは画家が絵に描いた若い花嫁、ということですか？わからないことだらけで恐縮です。教えてください。お願いいたします。

The Oval Portrait（続きです）

And then the brush was given, and then the tint was placed; and, for one moment, the painter stood entranced before the work which he had wrought; but in the next, while he yet gazed, he grew tremulous and very pallid, and aghast, and crying with a loud voice, 'This is indeed Life itself!' turned suddenly to regard his beloved:- She was dead! -----the end----- he grew tremulous and very pallid, and aghast, and crying with a loud voice, （彼は震えてきて、とても青ざめ、そしてびっくりして大声で泣き叫びました）？なぜ、彼がこのようになってしまったのかがわかりません。絵のあまりの完成度に感動してしまった、という現象なのでしょうか？　　------------------------------------------ 'This is indeed Life itself!'・・・これは彼の描いた絵（彼女をモデルにした絵）がまるで生きているようだ、と言っているのでしょうか？　------------------------------------------　 She was dead! ・・・・つまり、絵が完成したときに現実の彼女は死んでしまった、ということですか？彼が振り向いたときには、彼女は（すでに）死んでいた、という解釈でよいでしょうか？　　------------------------------------------- なぜ彼女が亡くなってしまったのか、具体的な説明はないのですが、絵を生かすために彼女が犠牲になってしまった、というような結末でしょうか？すみません、解説をお願いします。

英文の構造について教えてください。

The chateau into which my valet had ventured to make forcible entrance, rather than permit me, in my desperately wounded condition, to pass a night in the open air, was one of those piles of commingled gloom and grandeur which have so long frowned among the Apennines, not less in fact than in the fancy of Mrs. Radcliffe. Edgar Allan PoeのThe Oval Portraitという作品の冒頭部分なのですが、コンマが多くてどのように文が繋がっているのかわかりません。教えていただけないでしょうか？

『The sound of summer ～』2

Ray Bradburyの『The sound of summer running』という短編からの質問です。 There was a sound of growing thunder. One moment, the door to Sanderson’s Shoe Emporium was empty. The next, Douglas Spaulding stood clumsily there, staring down at his leather shoes as if these heavy things could not be pulled up out of the cement. The thunder had stopped when his shoes stopped. Now, with painful slowness, daring to look only at the money in his cupped hand, Douglas moved out of the bright sunlight of Saturday noon. He made careful stacks of nickels, dimes, and quarters on the counter, like someone playing chess and worried if the next move carried him out into sun or deep into shadow. “Don’t say a word!” said Mr. Sanderson. Douglas froze. ＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊ with painful slownessとは「うんざりするほどゆっくりと」という意味ですか？＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊冒頭に、 There was a sound of growing thunder.とあり、途中、 The thunder had stopped when his shoes stopped. Douglas moved out of the bright sunlight of Saturday noon.とあるのですが急に晴れ渡ったのか、それとも雷の音は何かの比喩だったのでしょうか？（質問の『The sound of summer running』1から続いている英文です）＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊ He made careful stacks of nickels, dimes, and quarters on the counterについて靴を買うお金をカウンターに積み重ねているように思うのですが nickels, dimes, and quartersというのがイメージできません。どのようなお金なのでしょうか？＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊ like someone playing chess and worried if the next move carried him out into sun or deep into shadow.の個所について ifは「～かどうか」ですか？ carried him out into sun or deep into shadow.は、次の一手で明暗が分かれる様子でしょうか？靴を買おうとしてお金をカウンターに出している少年（Douglas）を、チェスをしている人になぞらえているようなのですが、carried him out into sun or deep into shadowからDouglasの気持ちを探ると、靴が買えるか、買えないか、といった感じでしょうか？＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊質問が多くなってしまい、申し訳ありません。教えていただけると有難いです。よろしくお願いいたします。

The Dark Glassesからの英文です。

He did extract one long sheet of paper, and held it up. It was typewritten with a paragraph in handwriting at the bottom on the side visible from the window. He laid it side by side with another sheet of paper which was lying on the desk. I pressed close up to the window, intending to wave and smile if I was seen, and to call out that I was sheltering from the rain which was now coming down in thumps. But he kept his eyes on the two sheets of paper. There were other papers lying about the desk; I could not see what was on them. But I was quite convinced that he had been practising handwriting on them, and that he was in the process of forging his mother's will. Muriel SparkのThe Dark Glassesからの英文です。主人公は15歳ぐらいの女の子です。 he＝検眼士です。窓の外から主人公が検眼士の様子を窺っている場面です。 --------------------------------------------------- ●I could not see what was on them.についてここの訳は、”私は紙の上に何が書かれているのか見ることができなかった” ですか？ what was on themのところがよくわからないのですが。 ●I pressed close up to the window, intending to wave and smile if I was seen, and to call out that I was sheltering from the rain which was now coming down in thumps.について to call out that I was sheltering from ～の部分はintending toにつながるのでしょうか？ call out that～は、that以下を叫ぶ、という意味ですか？前文は After five minutes' long waiting time the shape arose and switched on the light by the door. It was Basil, suddenly looking pink-haired. As he returned to the desk he stooped and took from the safe a sheaf of papers held in the teeth of a large paper clip. I knew he was going to select one sheet of paper from the sheaf, and that this one document would be the exciting, important one. It was like reading a familiar book: one knew what was coming, but couldn't bear to miss a word. となっています。教えてください。宜しくお願いします。

英語の和訳をお願いします。

The unique contribution of the twelfth century to the arts was stained glass, which, like cloisonne enamel, the technique of which it resembles, was begun at Con stantinople and developd in western Europe. It is important to realize that the glass was stained, dyed, in the making, that the colour per-meates the glass, and that only painting, at least in the twelfth and thirteenth centuries, was with an opaque brown enamel used for drawing faces, drapery folds, and other detail. As glass could be made only in small pieces, these were ioined by strips of lead, a soft and heavy material that had to be supported by iron bars across the opening in which the win-dow was to be inserted. Obviously these bars could not be ignored in the design, which had either to be made big enough to be independent of them, or small enough to fit into one unit of the frame. At Canterbury the first method was adopted in the majestic figures of the clerestory windows, the second in the aisles, where the detail could easily be seen : Noah in his Ark, for example, which served as a type for the Baptism of Jesus in a neighbouring medallion. Against a dark blue sky Noah is releasing the dove from a window at the top of the Ark, a multi-coloured, three-storied structure with Ro-manesque columns and arches, against the stability of which the writhing ridges of blue, green, and white-capped waves are powerless.

The Dark Glassesからの英文です。

　Then he took up the pen. I can still smell the rain and hear it thundering about me, and feel it dripping on my head from the bough hanging above me. He raised his eyes and looked out at the rain. It seemed his eyes rested on me, at my station between the tree and the window. I kept still and close to the tree like a hunted piece of nature, willing myself to be the colour of bark and leaves and rain. Then I realized how much more clearly I could see him than he me, for it was growing dark. Muriel SparkのThe Dark Glassesからの英文です。主人公は15歳ぐらいの女の子です。 he＝検眼士です。窓の外から主人公が検眼士の様子を窺っている場面です。 ------------------------------------------ ●It seemed his eyes rested on me, at my station ～・・・ここのmy stationとはどういう意味ですか？ ●I kept still and close to the tree like a hunted piece of nature, willing myself to be the colour of bark and leaves and rain.について a hunted piece of natureとはどういう意味ですか？ ●Then I realized how much more clearly I could see him than he meについて he meのつながりがわかりません。どう読むのでしょうか？前文は He did extract one long sheet of paper, and held it up. It was typewritten with a paragraph in handwriting at the bottom on the side visible from the window. He laid it side by side with another sheet of paper which was lying on the desk. I pressed close up to the window, intending to wave and smile if I was seen, and to call out that I was sheltering from the rain which was now coming down in thumps. But he kept his eyes on the two sheets of paper. There were other papers lying about the desk; I could not see what was on them. But I was quite convinced that he had been practising handwriting on them, and that he was in the process of forging his mother's will. となっています。教えてください。宜しくお願いします。

英文を日本語訳して下さい。

Two fleets with such power could inflict great damage on the other. One argument that has been put forward for the lack of naval activity at the start of the war is that both fleets basically avoided a major clash for fear that it would be decisive and leave their respective nation’s vulnerable to attack. The British Navy in the North Sea was based in Rosyth, Cromarty and Scapa Flow. Here it could protect the central and northern areas of the North Sea and stop the German High Seas Fleet from getting into the Atlantic where it could cause huge problems for Britain’s merchant fleet. The British believed that the Germans would not try to rush the English Channel and face the might of the British Navy based in Portsmouth and Plymouth. Therefore, it was reckoned that the German Navy could only operate in the North Sea.

和訳お願いします。

In operating the electric pen,I got my current from a Bunsen battery consisting of two glass jars, capped at the top and controlled by a plunger with which I lowered the plates into the acid solution or drew them up when the pen was not in use.Thus the life of the battery was prolonged. The pen had a needlelike point which darted in and out of the writing end so rapidly that the eye could hardly detect it. This was operated by a miniature clectric motor small enough to be attached to the upper end of the pen.The shaft containing the needle was given its motion by cams on the rotating engine shaft so that when the current was turned on,and I wrote with the pen,holding it in a vertical position, it made innumerable tiny punctures on the sheet of paper,tracing the words that comprised the letter. After the master copy of the stencil had thus been made, I took it to the 'press',where it had to be spanned in a frame before the copies could be made.A plain sheet of paper was placed on the press,the stencil was laid on top and an ink roller passed over it. The impression of the handwriting was marked on the under sheet by the ink through the holes made by the needle.It was said that 5,000 copies could be made from a single stencil.

掛り具合を教えてください

英語が苦手です。次の文章で掛り具合が分からないところがあります。教えていただけるとありがたいです。 A hard embargo, in which Washington and its allies block all shipping into and out of North Korea and seek to paralyze its finances, risks confrontations that allies in Asia fear could quickly escalate into war. - fearは動詞と思いますが、主語は何でしょうか？ - could quickly escalateは動詞と思いますが、主語は何でしょうか？

この英文の構造について教えてください。

バートランド・ラッセルの「The Conquest of Happiness」からの英文です。 They found themselves in the presence of something which awoke in them that sense of reverence which nothing else claimed, and something to which they felt, even in the very depths of their being, that an unquestioning loyalty was due. 彼らは、彼らの中に呼び起こした何かの存在の中に、他に値するものが何もない尊敬の意味、そして絶対的な忠誠が当然払われるものであると、彼らの存在のまさに深みの中でさえ、彼らが感じた何かに、気がついた。と訳してみましたが、全体の構造がよくわかりません。 They（S) found(V) themselves in the presence of something (which) awoke in them が最初にあって、以下はthat節でしょうか？ (that) sense of reverence （which） nothing else claime, and something to（ which） they felt(後半のthatにつながる→）（that） an unquestioning loyalty was due. even in the very depths of their being（挿入句）

英文を日本語訳して下さい。

Malleson ordered his men into a frontal assault on Latema Hill. It was impossible for any diversionary flanking attack to take place due to the denseness of the terrain to the sides of the battlefield, especially to the south - which was covered by a swamp. The Baluchis and 3rd King's African Rifles were sent into the attack - holding the right and left respectively - with the Rhodesian Regiment held in reserve. This was the first action that the 3rd KAR had fought as a unit. The infantry was supported by artillery, which bombarded the German positions from a range of 3,000 yards. Before they could reach the enemy positions, however, the British were forced back by heavy rifle, machine gun and small-calibre artillery fire.

英文の和訳で困っています　和訳を助けてください

英文の和訳で困っています　和訳を教えていただきたいですよろしくお願いします！！ More plausible in Paul Zanker’s suggestion that the building, whose auditorium would have held between 1,500 and 2,000 people, may have served as an assembly chamber for meetings of the colonists. Its architectural form tallies well enough with that of assembly-halls or council-chambers in certain Hellenistic cities in the Aegen area, notably Priene and Miletus in Asia Minor. The fact that it was situated next to the large theatre does not imply that it, too, was intended for public entertainments. The position of both buildings was dictated by the convenience of a hill-slope in which the auditoria could be hollowed.

『The Birds and the Foxes』

James Thurberの『The Birds and the Foxes』という短編からの質問です。 Once upon a time there was a bird sanctuary in which hundreds of Baltimore orioles lived together happily. The refuge consisted of a forest entirely surrounded by a highwire fence. When it was put up, a pack of foxes who lived nearby protested that it was an arbitrary and unnatural boundary. However, they did nothing about it at the time because they were interested in civilizing the geese and ducks on the neighboring farms. When all the geese and ducks had been civilized, and there was nothing left to eat, the foxes once more turned their attention to the bird sanctuary. 《質問1》この英文の中で、civilizeという単語が出てくるのですが、どういう意味なのでしょうか？（下にピックアップしました）＊because they were interested in civilizing the geese and ducks on the neighboring farms. ＊When all the geese and ducks had been civilized~ (続き） Their leader announced that there had once been foxes in the sanctuary but that they had been driven out. He proclaimed that Baltimore orioles belonged in Baltimore. He said, furthermore, that the orioles in the sanctuary were a continuous menace to the peace of the world. The other animals cautioned the foxes not to disturb the birds in their sanctuary. So the foxes attacked the sanctuary one night and tore down the fence that surrounded it. The orioles rushed out and were instantly killed and eaten by the foxes. The next day the leader of the foxes, a fox from whom God was receiving daily guidance, got upon the rostrum and addressed the other foxes. His message was simple and sublime. "You see before you another Lincoln. We have liberated all those birds." 《質問2》 The other animals cautioned the foxes not to disturb the birds in their sanctuary. 他の動物たちは狐に鳥の聖域で妨害しないように警告しました。（と訳しました）（their sanctuaryのtheirは鳥でしょうか？）その次にSo the foxes attacked the sanctuary one night and tore down the fence that surrounded it. という英文が繋がってくるのがわかりません。なぜ狐は鳥の聖域を攻撃したのか？最後にMoral: Government of the orioles, by the foxes, and for the foxes, must perish from the earth.という一文があるのですが、この意味が今一つわかりません。単純な話だと思うのですが、どうもよくわかりません。よろしくお願いいたします。

The Oval Portrait: タイトル生成

The Oval Portraitからの質問です。

質問者が選んだベストアンサー

お礼 2015/04/21 18:46

関連するQ&A

The Oval Portraitからの質問です。

The Oval Portraitからの質問です。

The Oval Portraitからの質問です。

The Oval Portraitからの質問です。

The Oval Portraitからの質問です。

The Oval Portraitからの質問です。

The Oval Portrait（続きです）

The Oval Portrait（続きです）

英文の構造について教えてください。

『The sound of summer ～』2

The Dark Glassesからの英文です。

英語の和訳をお願いします。

The Dark Glassesからの英文です。

英文を日本語訳して下さい。

和訳お願いします。

掛り具合を教えてください

この英文の構造について教えてください。

英文を日本語訳して下さい。

英文の和訳で困っています　和訳を助けてください

『The Birds and the Foxes』

注目のQ&A

カテゴリ

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専門家に質問してみよう

The Oval Portrait: タイトル生成

The Oval Portraitからの質問です。

質問者が選んだベストアンサー

お礼 2015/04/21 18:46

関連するQ&A

The Oval Portraitからの質問です。

The Oval Portraitからの質問です。

The Oval Portraitからの質問です。

The Oval Portraitからの質問です。

The Oval Portraitからの質問です。

The Oval Portraitからの質問です。

The Oval Portrait（続きです）

The Oval Portrait（続きです）

英文の構造について教えてください。

『The sound of summer ～』2

The Dark Glassesからの英文です。

英語の和訳をお願いします。

The Dark Glassesからの英文です。

英文を日本語訳して下さい。

和訳お願いします。

掛り具合を教えてください

この英文の構造について教えてください。

英文を日本語訳して下さい。

英文の和訳で困っています 和訳を助けてください

『The Birds and the Foxes』

注目のQ&A

カテゴリ

あなたにピッタリな商品が見つかる！ OKWAVE セレクト

専門家に質問してみよう

英文の和訳で困っています　和訳を助けてください