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Ty Stalnaker sent in the following review of Stone Temple Pilots' show in Sunrise, Florida:

Stone Temple Pilots with Chester Bennington played the BB&T Center last night. While possibly an over-ambitious location, the band was eager to please. Naturally, seeing how Bennington would fit was where most of the intrigue was, and for most of the material he was up to the task. His voice and style seems best for loud and fast songs, like Vasoline and the new Out of Time. Wicked Garden seemed to bring out the strongest of his performances. Softer and more mid-tempo territory like Sour Girl was a bit more uneven.

The DeLeo brothers and Eric Kretz churned out the mostly-familiar music, but the other interesting addition was a handful of “new” old songs, Pop's Love Suicide and Church on Tuesday among them. Bennington's voice fit Pop's Love Suicide almost as smoothly as the original recording, and Church on Tuesday was a delight to hear, featuring an additional guitar solo on the outro.

回答No.1

marbleshit · ベストアンサー

Ty Stalnaker sent in the following review of Stone Temple Pilots' show in Sunrise, Florida:

タイ・ストルネーカーがフロリダ州サンライズでのストーン・テンプル・パイロッツのショーをレビューしてくれた。

Stone Temple Pilots with Chester Bennington played the BB&T Center last night. While possibly an over-ambitious location, the band was eager to please. Naturally, seeing how Bennington would fit was where most of the intrigue was, and for most of the material he was up to the task. His voice and style seems best for loud and fast songs, like Vasoline and the new Out of Time. Wicked Garden seemed to bring out the strongest of his performances. Softer and more mid-tempo territory like Sour Girl was a bit more uneven.

チェスター・ベニントンを迎えたストーン・テンプル・パイロッツが昨夜BB&Tセンターで演奏を行なった。恐らくこれ以上は望めない程のロケーションで、バンドはやる気満々だ。当然ながらベニントンがどうこなすのか、これが興味の中心であり、殆んどの曲で彼は見事にその役割を果たしていた。彼の声のスタイルは《ヴァソライン》新曲《アウトオブタイム》のような、ラウドなアップビートな曲に最もマッチしていっる。《ウィキッドガーデン》では、彼の最大の強みとするパフォーマンスを引き出していたし、《サワーガール》のようなソフトミドルテンポの曲では、やや精彩を欠いていたと言えよう。

The DeLeo brothers and Eric Kretz churned out the mostly-familiar music, but the other interesting addition was a handful of “new” old songs, Pop's Love Suicide and Church on Tuesday among them. Bennington's voice fit Pop's Love Suicide almost as smoothly as the original recording, and Church on Tuesday was a delight to hear, featuring an additional guitar solo on the outro.

デリオ兄弟、エリック・クレッツはお馴染みのナンバーを繰り出し、さらに最高のおまけは一連の旧作のニューアレンジだった。《ポップスラブスーイサイド》や《チャーチオンチューズデイ》もやってくれた。ベニントンの声は《ポップスラブスーイサイド》に見事にマッチし、あたかもオリジナル作品のようであった。また《チャーチオンチューズデイ》には小躍りした。新たにギターソロとギターエンディングが加わっていた。

お礼

ありがとうございます。